SHRABANI DASGUPTA

Reinterpreting Samudra Manthan
Samudra Manthan, I understand, is a story of churn. Samudra/sea is a metaphor for my mind, Manthan/churn is the endless loop of thoughts fired by forces inside out. I hope to convey that in the story retold. I hope to express that we find we create our realities, illusions, endurance of toxicity and the process of healing and final release of control. When we immerse ourselves in these conditions we sit with our vulnerabilities and realise truths about the nature of our psych. For me, laying my insecurities open, in form of visual art, for others to explore and hopefully resonate with has been a process of release from within. All my works (images on the series are attached in the portfolio, please refer to the attachment in the mail), represent stories of acknowledging toxicity, navigating illusions, and finding healing amid challenges within our psyche. I believe, we (as individuals and as a larger collective of humankind) go through experiences to encounter myriad human conditions. The myth of Samudra Manthan creates space for a dialogue about these experiences.
Whispers of the infinite wind
Watercolor, ink, graphite on paper
10" X 10"
2025
Dancing with the Devil
Watercolor, ink, graphite on paper
11.7" X 17.5"
2025
Axis of an Unending Sea
Watercolor, ink, graphite on paper
10" X 10"
2025
Rising, Dissolving, Returning
Watercolor, ink, graphite on paper
5.75" X 11.75" | 5.75" X 11.75"
2025
Searching for Home, following the trail of seemingly meaningless meanderings
I observed that on the outside every life appears either chaotic/ unstable, irrational, or painfully lonely and temporary. Marriages, routines, cities & houses— all the structures we create to build a “home”. They are fragile and destructible. A messy kitchen table, a family argument, a shared meal, a dog waiting at the door — these become sacred because they mean presence. I understand that we attempt to create home to make life stable, but in the process we learn life is fragile. Home is where one wants to be seen, needed, and loved, despite imperfection & impermanence. It’s understanding what mortality is. Everything disappears — relationships, memories, lives — yet we continue to live like there's no tomorrow. That transforms my version of home into something deeper and fleeting.
Artist Statement
My work emerges from a search or a longing for home - within and outside. Imagery in my works move through a landscape populated by wandering houses, floating objects, walking clouds, birds carrying invisible messages, and figures suspended between arrival and departure. Sometimes, especially when reinterpreting mythology, images become a lot of floral & include animals.
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Some motifs appear repeatedly in my work, like aquatic lives, birds, house, plants, mountains, sleeping people etc. They seem to walk, drift, hover, migrate. They grows legs, roots, wings, refusing permanence. Like migratory birds crossing continents, they moves in the direction of invisible forces — memory, loss, hope, necessity. These motifs together on one plane of existence become a living organism, carrying its inhabitants through contradiction - a shelter and a burden. Composite structure made of lines and paints and paper, they're a map of living connectivity.
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In this map, rivers become veins, roads transform into roots, telephone wires become nervous systems, cities dissolve into forests. Human bodies float above these transformations. My endeavour is to make the boundaries between my-self and other become porous. We don't exist alone. Like a meal is connected to soil, labor, weather, a memory is connected to a space, a sound, a season. ​I strive to tap into the collective memory with my work. The faultiness between visible and invisible - things that once held within us a larger web of meaning.
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These objects inhabiting the picture space carry chapters of my life within themselves. The landscape these objects/figures find themselves in are a field of philosophic speculation. Mountains become furniture. Clouds and houses grow feet. In these spaces, imagination and memory coexist, allowing alternative forms to emerge : reiterating that home/ our minds are an illusion. For me, it is something continuously assembled through acts of connection. Maybe it is the network we form with people, places, animals, objects, stories, feeling etc.
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I continue searching for home, not because I expect to arrive somewhere, but because the search itself reveals the hidden roads that bind us to the rest of the material world - the map of connections I was drawing all along.
Artist Bio
I am a Delhi based visual artist working across drawing, painting, illustration, printmaking, comics,zines, and book design. Trained in painting at the College of Art, Delhi, I also holds postgraduate training in Art Conservation and Restoration from the National Museum Institute, Delhi, informing my sensitivity to materiality, layering, and the temporal life of images and art. My practice draws on myth, cosmology, memory, lived experiences, engaging various narratives alongside philosophical inquiry and collective histories. Through layering, repetition, and fragmentation, my visual language explores creation, transformation, and gendered experience, allowing images to remain fluid and unresolved. My work has been presented across institutional, gallery, and independent platforms in India and internationally.
I work in variety of mediums, but my personal favourite is ink and watercolour and mix media. Although I'm biased towards Gouache these days. But working on this series of works I found the support to be my playground - tracing sheets, paper and canvas. Small size of the works coupled with layers of translucent sheets becoming part of the composition make a impact where the viewers stop, step closer, look and let the eyes wander from one detail to another in the artwork. This act of stop & stare, I believe, allows a viewer to engage in a conversation with the artworks. Layers of sheets with drawings help in this regard especially.
Exhibitions
2026
SOLO EXHIBITION
Ocean That Dreamed Us - Lalit Kala Academy, New Delhi
GROUP EXHIBITION
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National Art Exhibition at Moinuddin Ahmed Art Gallery, Aligarh Muslim University—Aligarh
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134th Annual Art Exhibition - Bombay Art Society, Bombay​​
2019-2023
GROUP EXHIBITION
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Tiger In & As Me (mahila Zine Issue 8) — Workshop & Exhibition - Kiran Nadar Museum of Art, 2022
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Lockdown Diaries — Zone Art Gallery, Taiwan2022
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Mahila Goes Global — GUCCI Equilibrium Zine, U.S.A., 2022
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Mahila Zine Issue 7 - Taiwan Art Fair — Zone Art Gallery, Taiwan2023
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Five Million Incidents — Goethe Institut/ Max Mueller, 2019-20
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2010-2018
GROUP EXHIBITION
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Confluence - Group Show, AIFACS, New Delhi, 2018
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Beyond The Horizon, Epicentre, Gurgaon, 2010
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The Art People, Travancore Art Gallery, New Delhi, 2011
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Exhibition of Drawings & Graphics, Chandigarh College of Art, Chandigarh, 2011
Publications/ Features
Arts to Hearts Project Magazine - Annual Issue No. 12, Interview / Artwork publication, 2026
Mazda 100 Emerging ArtistsFeature in Coffee Table book, 2026
























